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eally excellent — achievement。 There is never a sign of exhaustion； but on the contrary no end of proof that you have scarce got into your stride。
Always yours；
W。 E。 H。
The third letter is evidently in answer to one of mine。 It is headed： The Scots Observer： A Record and Review； 2 Thistle Street； Edinburgh； July 26； 1889：
My dear Haggard； — It is pleasant to know that I have paid a very little of my debt。 I think the Romance and Fame in the current S。O。 will not displease you。 The writer is a strange； old； brilliant creature whom I have found here； and whose opinion is worth having。 Meanwhile； you may put down the attacks partly to envy （for you can’t deny that you’ve had a dam good innings） and partly to the inevitable reaction — for I don’t know that your admirers have praised you in quite the right way。 And you need bother yourself no more about them。 Why should you？ You are bound to win； and you need not care three straws for anything they say。 You need only do your best； and leave the rest to time。
That I believe to be the right philosophy of things。 And so farewell。
Ever yours；
W。 E。 H。
Archer has just writ the loveliest review of my second edition； and the P。M。G。； after accepting and printing； declines to publish！ So you see ——！
After “Cleopatra” was finished I undertook various things。 One was a tale called “Nesta Amor；” which was never published； although I finished it。 Indeed I agree with Lang that it was not worth publishing in its existing form； though it might have been； perhaps； if rewritten； which I have never found time to do。 Another was a romance of Helen； to be written jointly with Lang； which； after many vicissitudes and adventures； ultimately materialised as “The World’s Desire。” Also I conceived the idea of writing a saga； but determined that before I attempted this； I would visit Iceland and study the local colouring on the spot。
I remember that I was a good deal sneered at for my habit of actually investigating the countries where the events had happened about which I intended to write。 Literature； I was told； should be independent of such base actualities。 I do not at all agree with those critics。 If a man wishes to produce a really good romance dealing with some past epoch； the best thing he can do is to see the land in which the folk lived of whom he means to tell； and； as it were； to soak himself in the surroundings that were their surroundings。 So he may hope to catch some of the atmosphere which doubtless they took from their native earth and skies。 Then； if he possesses any； imagination may do the rest。 Who could write a saga who had not visited Iceland； or an Egyptian novel who did not know Egypt — I mean one worth reading？
Also I wrote a very successful little African story called “Maiwa’s Revenge” and my novel “Beatrice；” which I think one of the best bits of work I ever did。 Here is Charles Longman on “Beatrice；” no doubt after he had read the MS。 His letters are dated August 2 and August 4； 1888。
I was very much interested in “Beatrice。” It is of course a terrible tragedy — unrelieved in its gloom which increases from start to finish。 Still there is no denying its power 。 。 。 。
From the letter of August 4th：
I think； too； that “Beatrice” is your best piece of purely modern； nieenth century work。 I believe I like you best among the caves of old Kor； or looking back over King Solomon’s great road to the old civilisations dead two thousand years ago。 But it is a great thing to have several strings and not always harp on the same。 And there is the same feeling in all your books — that of a power or Fate or whatever it is behind man controlling his actions and driving him blindly forward。 All ages have felt it and have tried to explain it in their own way。 But what the facts may be — we may know some day。 。 。 。
We are thinking of beginning to set the type of “Quaritch； V。C。” on Sept。 1st。 You will give us your finally corrected sheets； I suppose。 We have sold 20；000 copies of “Maiwa” on day of publication。
But of “Beatrice” more later； let us return to “The World’s Desire；” “The Song of the Bow” as it was called at first。
Roughly the history of this tale； which I like as well as any with which I have had to do； is that Lang and I discussed it。 Then I wrote a part of it； which part he altered or rewrote。 Next in his casual manner he lost the whole MS。 for a year or so； then it was unexpectedly found； and encouraged thereby I went on and wrote the rest。
The MS。 in its final form I have； bound up； and with it a very interesting preface or rather postscript by Lang which was never published； eight sheets long； also notes of his as to the scheme of the story and the originals of his verses； some of which I drafted in prose。 The MS。 contains fifty…three sheets at the beginning written or re…written by Lang； and about 130 sheets in my writing； together with various addenda。 The best history of the thing is to extracted from Lang’s letters； from which I make some quotations。
The first of these that I can find is dated from an hotel in Paris on March 8th； probably 1888。
It occurs to me that you had better read the Helen of Euripides in a prose crib。 There’s a bad one。 I have forgotten the play； all but half a dozen lines； but it is about Helen in Egypt and may suggest something。 The name “The Wanderer” is already taken by one of Lord Lytton’s poems。 I had thought of “A Priestess of Isis。”
The next is from Florence on March 25th：
Just had your letter on the Jews。 Do you think it worth while； if it won’t run easily？ You have so much on hand； and I am afraid you will tire out your invention。 The idea of Odysseus and Helen is a good one； but don’t thrash a willing and perhaps weary Pegasus。
Then es one from Marloes Road — he is back again in England now — without the slightest indication of a date。
Odysseus calls himself Eperitus； as a by…name； in Od。 24。 Or Laertiades。
Helen should be a priestess in Egypt； say of Pasht。
You won’t want much help from me。 All the local colour is in the Odyssey。
After this I believe that I worked away at the story； of which I did a good deal； and sent it to Lang； who promptly lost it so pletely an